The Retune Speed and Humanize controls found in Pro are also included in both Artist and EFX+ editions. You can also use the keyboard graphic – one octave in EFX+ and full-length in Artist – to further control the notes that Auto-Tune will re-tune to. The plug-ins are also compatible with the companion Auto-Key plug-in (sold separately) that analyses audio to determine its key and scale, and then distributes this data to all Auto-Tune instances running in the session.
The key and scale that Auto-Tune is working to can be selected from a couple of drop-downs at the top of the windows, although here EFX+ offers a far more limited choice of scales than Artist does.Ī low-latency option is available to both plug-ins, too, which is ideal for cue mixes in the studio and for live use on stage, albeit at the cost of increased system-resource usage.
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Common featuresĪt the centre of the windows of both plug-ins there’s a circular meter that displays the note that Auto-Tune is currently outputting and indicates the amount of re-tuning that’s being applied. Antares has now wrapped this same technology into a new pair of plug-ins, Auto-Tune EFX+ and Auto-Tune Artist, which further simplify the user interface but that retain all of the Auto-Tune sound. The latest flagship version of the technology, Auto-Tune Pro, delivers that sound via a new, quick and easy interface, while retaining the classic graph view that allows for deeper pitch and time modifications. The reason for this is, of course, that Auto-Tune’s pitch-, time- and formant-warping algorithms impart a certain timbre and tone that can be rather pleasing and that lends itself perfectly to many genres of contemporary music. Nowadays, Auto-Tune is often used even when the performer is more than capable of delivering an in-tune performance.
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